In the wake of the "Deep Learning Revolution" of 2012, the world of artificial intelligence had blossomed like a data-driven garden, cultivated by the technological seeds sown by visionaries and researchers. This era was marked by a renaissance of algorithmic thought, where the once dormant technique of backpropagation was revived, breathing new life into machines, teaching them to learn from their digital environment as if they were students of the world itself.

The "Tox21 Data Challenge" stood as a beacon of this new age, a proving ground where the might of AI was tested against the complexities of toxicology. Here, the challenge was not unlike the ancient alchemists' quest to understand the essence of matter, using computational alchemy to predict the toxicity of chemicals without the need for traditional, time-consuming experiments. This event was akin to a digital oracle, revealing how neural networks could decipher the cryptic language of chemistry, setting a new standard for scientific inquiry far beyond the tech realms.

Yet, within this era of enlightenment lurked the shadow of control, embodied by a government and fraudulent corporations whose hunger for data was as vast. They turned tools of connection and knowledge into instruments of surveillance; And be exposed by Snowden who pulled back the curtain on this deep state of affairs, revealing not just the extent of governmental oversight but also the tech industry’s role in this Orwellian nightmare. The global response was a surge towards digital fortresses and open-sourcing everything of importance for humanity, with encrypted whispers and privacy-focused technologies becoming the new shields in an ongoing battle for autonomy in an interconnected world.

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Marcin Rubinkowski has a lot of skulls under his belt. He's been working in the movie and game industry for 12 years. Even if you put aside the fact that he did the concept art for the amazing Netflix series 'Love Death + Robots', that won multiple awards in several categories, still a lot remains.

Marcin drew concept art for several clients, some of them you might know: Bungie, Nintendo, Sega, Disney, Blur. Oh yeah, also a game called Destiny2. He also shared his wisdom of digital art in two books: Digital Painting Techniques: Volume 8, and Master the Art of Speed Painting: Digital Painting Techniques.

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I used Moebius to create this unofficial ASCII logo of the website with. I'll work on a better one, when I'll have the time. I'm busy with content creation for the website right now!

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André Reis is a digital artist with some great works around the net. He's also the creator of MARS 2030 comic series.

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